Bauhaus at the Barbican

The Barbican on a hot Wednesday evening was another delight, a talk by the renowned Swiss artist Peter Fischli  whose father studied at Bauhaus Dessau. He talked about the influences of the Bauhaus after its demise including its far-reaching effects in the US an even in Britain.

I was expecting an audience of people in their 60s but the average age was more like 30. He talked about his early life living in a modernist house designed by his father in the outskirts of Zurich. Affectonately known as The Shoebox by the locals, the house was furnished with non- upholstered chairs, as upholstery was considered Bourgeois. He showed us this image.

It was only today that I realised that Fischli’s collaborative partner 0f some 30 years David Weiss had died a few weeks before. Fischli/Weiss  – The Way Things Go

Bauhaus: Art as Life
3 May 12 – 12 Aug 12 / Barbican Art Gallery

Read Me Something You Love

Farringdon Road on a hot Tuesday evening, at the Free Word Centre, was an unexpected delight. A group of singularly insightful individuals, broadcasters, writers, publishers offering us, the audience , access to their experience. And in the melee later I met the most interesting Steve Wasserman who runs the blog Read Me Something You love. This is a blog like no other, to quote ”

Read Me Something You Love is an online podcasting project. But it is also, hopefully, an offline experience.

People who love the written word read me a short story, an excerpt from a novel, or poem that excites them in some way, and then we wholeheartedly discuss the piece in question.”

How cool is that – but don’t take my word for it – go visit RMSYL

An example, quite apposite since I have recently returned from (been reborn from) a week’s residential tutoring by the delightful Mr Haddon.

The Gun by Mark Haddon – read by Ted Hodgkinson

Creating Cast Shadows

Somehow I seem to have found myself moving almost full circle in my use of scale.  I began with intricate delicate jewellery in silver and moved abruptly in a dramatic change of scale to a few bulky fabrications in painted MDF, then mild steel sculpture as big as I could make it. I yearned to go bigger, larger than life but for that you need money, strength, a whole workshop full of specialist equipment, space and hopefully a commission. After a liberating but all too brief dalliance with pleated paper and an even briefer sojourn with copper sheet, I adopted a more restrained approach,  all white sculpture on a domestic scale in a medium quite new to me until now, cast plaster. Gradually and almost without realising what was afoot, the scale has slid back down, close to jewellery sized pieces.
Throughout this whole exploration of materials and processes, runs my habitual theme of repetition, it seems to be the one constant, indeed it is undeniably quite my favourite. And of course my second favourite, the aspect that sits so well with repetition – cast shadows.

 

Sally Wakelin pleated paper installation

Relueaux Triangle Sculpture

Soft daylight casting shadows over hemispherical arrangement

48 plus one

Neighbourhood Watching

In the bright morning sun, birdsong is the sound that wakes me, living in my 60’s terraced house on a pedestrian way in a London suburb.
Suburbia though, as we know, has dark undercurrents. Here is no exception, not sinister perhaps but odd. Over the years I have absorbed compelling details of my neighbour’s lives and habits.

The couple at 41, in their early 40’s are assassins, they live here only about a third of the time and they each have matching strabismus in one eye. They never draw their curtains and they do “Projects” in their back garden which involve earth moving, gravel and big chunks of wood. They cycle a lot and leave at odd hours of the night with large full suitcases.

The man at number 20 also lives at the adjoining number 22 connected via a single door between the third bedroom of number 20 and the main bedroom of number 22. He lives alone, with two of everything. He has a wife who wears a lot of purple and turquoise but she lives somewhere else. He is trying to kill the listed tree in his back garden.

Number 45 is the rented home of the Stomper who is addicted to stair-walking, he cannot resist going up and down, fast, furiously and noisily multiple times in a row, I’ve lost count at eleven times in a continuous session. He likes also to save empty bottles to throw casually into the recycling box adjacent to my bedroom window at three a.m. Incidentally his landlady, who mercifully visits rarely, is quite the rudest and most offensive person I have met.

A “widow” in inverted commas because her husband is still alive, lives alone at number 49, he lives in a home, having mislaid his mind somewhere, almost 10 years ago. She has to visit him every single afternoon, where she must watch him sleep for 3 hours before returning to her solitary marital home. If she misses a visit he becomes violent. She is frail and pale but has a steely look in her eye and a laugh like a peal of bells, but we don’t get to hear it often enough.

The Shouters are less noisy since he retired from being a pub manager, he used his lump-sum to double-glaze the windows so now they only disturb me in the summer when the windows are open. She emits loud rants about immigrants taking our jobs, and writes horoscopes, he only ever shouts the one word “Candy!”. He doesn’t know that she is 13 years older than he thinks she is, he likes to go fishing in the early morning, leaving at the same time as the assassins who then don’t know which way to look.

At the corner, there lives a short man with a very big shiny car. He won’t cut his hedge so now that summer’s new growth is here, the path has narrowed to a mere 18 inches. I think the problem may be that he is simply too short, he forgot all one summer and then it was too high and now he’s embarrassed to be seen next to a hedge nearly twice as tall as he.

Further to the hedge issue, the new couple opposite bought the house from an old Burmese lady  who had never cut her hedge either. I had high hopes when they moved in as he started slashing away at undergrowth in the garden which brought him good luck and bad, she gave birth to twins but a week later he broke his shoulder and three fingers in a cycling accident. The listed tree in their back garden is now 90% dead as the local ‘‘tree surgeons” employed earlier by the previous owner, were actually butchers and did a very good job.

Candy’s husband cuts my front lawn as I have a back problem and in return I make cakes for him, which I like to make but can’t eat as I am trying to regain my girlish slimness and Candy can’t eat because she is diabetic. Always chocolate, prune and almond polenta cake, I gave some to the new parents opposite too. The grass in my back garden is now more than 2ft tall and lurking within in it, like sunbathing lions, are an old basin and bidet which the plumber refused to take away with him two months ago when he worked on my bathroom. I don’t own a car and can’t take them to the dump on the bus as it doesn’t go that way.

At the opposite end live another new family, a girl born 6 months after they moved in is now the charming thief of the little inedible fruits  on my weeping ornamental cherry tree, she speaks Spanish and English and calls out “Bolas, bolas” in chirpy excitement as her tiny fingers force them from their twigs.

The Stomper is due to move out, the landlady wants to sell, so I am eager to discover who my new neighbours will be, the previous occupant was from a Gospel Church and held prayer-meetings there three times a week,  worshippers came and went like a tide, twenty or so at a time,  streaming across my lawn with a flurry of bell-ringings, greetings and door-slammings.

The much missed previous occupants of the Assassin’s house were renting; a shy Scottish architect who painted portraits of his house-mate in bright shades of green and orange and the sitter, a lithe young man from Brazil who liked to dance pirouettes in the living room but suffered from migraines. He was an I.C. nurse at St Thomas hospital. I met him again by chance last year and he told me of how his migraines had been caused by a tumour from which he almost died soon after they had moved from here.

Their landlord had been a young man who wanted to change the world, he left to sail around the oceans on the Raleigh International Project,  helping young people to learn about the world and themselves. He left 26 small Cyprus trees in his garden and returned eight years later when they were 26ft tall, with his New Zealand wife and baby. My garden had been in darkness for years, on that first day, I asked him tentatively “could you maybe cut back your trees a bit ? “ He smiled and nodded. Early next morning I looked out of the window, a scattering of cut greenery and an abandoned machete was all that was left. Sunlight has bathed my house and garden ever since, though the energetic young seafarer has long gone, he’s building a paradise above the clouds in Costa Rica.

Glenys Cour

The website I have been preparing for Glenys is almost ready to launch, here are screenshot previews of some of the pages. The links are not live yet.

I will post a link to the live site when it is ready.

Glenys Cour - The Home Page

Glenys Cour - Flora

Glenys Cour - Posters