Creating Cast Shadows

A simple arrangement of hemispherical castings on a white background produces a rich variety of grey tones.

Early morning sunlight casting shadows over hemispherical arrangement

Later when the sun has moved around the shadows are much softer

Soft daylight casting shadows over hemispherical arrangement

Soft daylight casting shadows over hemispherical arrangement

Colour – pink

The morning sunlight was particularly vivid today just at the right time to fall through an early work by my mother Rosemary Wakelin casting a pink glow onto the wood floor and throwing a pink sash around the clock-case.

The sculpture in pink and blue Perspex hangs in my hall window and reminds me of the time it hung in my mother’s house filling her kitchen with a warm pink glow.

Pink and blue Perspex sculpture by Rosemary Wakelin c1970s

Pink light on oak clock

Pink light on the floor

Creating Shadows

Stepped cubein homage to Richard Wakelin

Light falling across a corrugated surface always intrigues me – inspired by my father Richard Wakelin’s sculptures from 20 years ago,  I made this smaller copy of his Stepped Cube.

Sally Wakelin pleated paper installation

A few years ago, I made this pleated paper installation in the deconsecrated chapel, whilst attending a Drawing course at Yorkshire Sculpture Park  with David Nash, amongst others. A length of drawing paper 5m x 1.5m repeatedly folded and set in front of one of the long windows, behaved like a bucket of light and has inspired me to make more pleated paper sculptures since.

Folded paperFolded paper

At night

All evening, in the corner of my eye, I kept seeing these flowers in a black glass vase on a black glass table, lit by a table lamp. I was as intrigued by the reflections in the table and in the vase, trying to get above it to get the best reflection

.Vintage lamp, table and vase with anenomesVintage lamp, table and vase with anenomesVintage lamp, table and vase with anenomes