Rotated Subracted Squares

Trying something different here, I have rotated the squares around a central point, a set of six are one way round, the other six are reversed from the outside to the inside.

I really wanted to exploit the colour variations of the overlapping areas, I painted with watercolour using a different colour for each distinct shape, not the individual shapes formed by the overlap. The inside shape in each square is either Indian yellow or magenta, then the remains of each square painted either ultramarine blue or cadmium red. Each overlapped shape is then changed by how many colours are laid over it.

This is a trial so there are numerous mistakes but I like the way it’s going. Next time I shall move the two sets further apart and swap the colours around too.

Ups and Downs

Ups and downs

Here’s a painting of my father’s, undated but I think from the early 70’s. He was doing quite a lot of work like this then, quite large paintings with geometric shapes painted in flat bold colours. As with most of his work from that era, the frame is a simple aluminium L section, nothing to divert the eye from the image. How times have changed – he was offering it for sale for a mere £15!

 

 

Colour Change Hex

I should have said before but the reason I posted the photo of my mother’s painting yesterday was because I had been reading Andy’s (Patterns That Connect) article. https://patternsthatconnext.wordpress.com/2015/01/20/chance-and-order-at-eagle-gallery/. I do so wish I had seen that exhibition.

Here’s another of her paintings from the mid 70s, similar in theory perhaps to Andy’s intricate paintings from 2015. A fascinating link to four decades ago.

http://www.andyparkinson.co.uk/gallery-2015.php

R. M. Wakelin

 

 

 

 

 

Striped Polygons

A painting by my mother dating from the early 70s, it is 1.4m square and hangs on my living room wall. The pattern is based on a complex series of rotations and mirroring at more than one level as well as another set of rules governing the colour changes. I’ve spent many hours trying to decipher the rules and have made progress but there is still some areas of mystery.

My parents experienced first hand the theories behind abstract art in the 70’s whilst attending the unique Barry Summer School in South Wales set up by Lesley Moore, educator and painter. Geoffrey Steele, Kenneth and Mary Martin and many others shared their ideas and theories in a series of workshops. 

It is a great privilege to have this painting on my wall, maybe I am biased but I think it would stand its ground in the Tate Modern.