Istanbul – The Grand Bazaar and the Spice Market

The Gold Bullion Dealer

Midday – the air is sultry and still in the little back office on the upper level of the galleried courtyard of the Jewellery Quarter. The proprietor has succumbed to the gentle arms of sleep after a little too much lunch. His family look down on him with a benign gaze from their simple frames above his desk. Apart from the specialist calibrated weighing scales, which somewhat resemble a microwave oven, there is little evidence to prove his occupation but I dared not enter to investigate.

The Sleeper

Meanwhile, on the ground floor the Tea Boy is setting off yet again with a metal tray of six tea glasses, each with its own spoon, set out in a circle, accompanied by a  dish of sugar cubes and carried from a brass hoop.  He is supplying all the tiny stalls in the vicinity, being paid in red and orange plastic tokens, some square, some round, thrown down on his tray or left for him on the clutter of a window sill by a stall-holder occupied with a customer.

tea boy

His father makes the tea and washes the glasses in their diminutive kitchen,  his younger brother is the apprentice, fetching and carrying and getting under their feet. The equipment is ranged within easy arm’s reach, every single thing in its right place except for the electrical cables which swoop and swerve like a trails of birds.

teaboy 2In another sector of the bazaar there is a narrow alleyway between the arcaded shops, which mostly goes unnoticed by the shoppers dazzled by the wares on offer all around. In this alley the walls have been polished by bodies that have bustled through the corridor going about their business, now they reflect all comings and goings of the traders and the changing light.  A tea boy enters the alley and sees me lurking with my camera at the opposite end, he signals to me, at first I see it as a dance-like gesture, its only when I review the image later I realise he is saying “Yeah, take my photo!”  He stops when he reaches me and I show him his photograph, “verry niiice” he says in a rich Turkish accent, smiles and nods and is gone before the tea gets cold.

Istanbul if full of people with striking faces, out of the ordinary types, women with narrow faces and dark eyes, men with black hair but eyes the colour of the sea.

This man’s face is so familiar, it seems to come straight from the Sunday School bibles of my youth, faded posters in church hallways and mosaics in lofty church vaults. And yet he is a modern man, an animated spice salesman with his perfect cones of colourful powders to accommodate every culinary and medicinal requirement.


This proud figure striding through the market caught my eye, she’s not browsing through bags or scarves or rugs, she is purposeful. She and her daughter make a bright and colourful image even in this multicoloured world of the bazaar.


This young girl is not yet old enough to be wearing the hijab, she must be an expert at reading her mother’s eyes without seeing her full expression – she is watching her so intently. eyes

In the square near the Spice Market sits a woman reading, each day she comes here for an hour or so’s peace from her busy life serving others. Here she can hide amongst the crowds and let herself be transported into other worlds through the books she reads. Her daughter supplies her with volumes left behind by tourists in the hotel where she works. Lets call her Ajda, over the years she has taught herself English, French and German,  she has read  some of the great writers and many of the more populist novels – The Beach, Harry Potter and more. Sometimes she is joined by her daughter and her grandchildren but they leave her alone to enjoy her own secret travels.

The Other Reader


Visiting Istanbul with a camera has been one of the most rewarding experiences for me. I have been establishing which kind of images I really want to capture and have come to the conclusion that although the architecture is of course sublime, it is the people that have drawn me in.
Here are a few of my favourite scenes, some may inspire me to write stories others are simply enough in themselves.

The Reader

The Other Reader

The Sleeper

That face

The Photograph of Peter c. 1938

I had meant to post the photograph which inspired me to paint the watercolour of my uncle, who sadly I never met, or if i did meet him I was to young to be cognisant of the fact. Here in this tiny black and white poor quality print, he sits in the back of a boat perhaps somewhere off the devon coast with my mother and an unidentified relative.

Peter in a Hat
Peter in a Hat

Haircut at the Barbican

In the Barbican lecture hall I caught a glimpse of a man with the most interesting hair, he must have let it grow long all over and the had it sculpted like a topiaried box hedge. The dark angular shape stood out against the sculpted white plaster wall beyond making such a strong image that I felt I must attempt to record despite the fact that everyone was rising from their seats and pushing past. It was a fleeting moment and I only had a mobile phone, the low light and the urgency made for a blurry result.



More Grey

I found another opportunity to try out photographing a subject through metal mesh, here the holes in the mesh are bigger and I was in the dark interior, the subject in full sunlight which gives the image a very different feel from the previous one I posted last week. I think they both have their merits, I would like to have more time to experiment with exposure and focus – both of these were taken on the fly.

portrait through metal mesh

The train to Bristol

Today I went by train to Bristol and couldn’t resist covertly photographing this beautiful Japanese woman as she slept, seen through the reflection of passing smoke, trees and fields seemingly to be gently enveloping her.

Sleeping on a Train

A dark shape appears to be rolling her head and making her gasp – seen through a fine white gauze-like stream.

Sleeping on a Train 2

Geo tagging with my phone tells me exactly where I took this photo – on the traintrack just after it crosses the A338 north of Wantage – simultaneously both fascinating and useless information.

Below is a photo of Reading station – repeating patterns in such close proximity. The cut out shapes are the same but seen in silhouette, then blue and above, apparently reversed – the same shapes made from corrugated roofing – confused by reflections in the train window.

patterns in victorian stations

I tried photographing the concrete-paved platform as the train was slowly pulling out of the station, the yellow warning strip of the edge of the platform makes a pleasing border.

concrete platform

Decorative plasterwork on the ceiling of a public house dating back to 1746, the Llandoger Trow in Bristol centre.

plasterwork ceiling

Colour 3

Reflections and shadows –  blue to turns green and pink picking up reflected colours from the water and the deck – which is pink in the shade but almost orange in full sun. The canal at the Hepworth Wakefield.

Pink flourescent lighting in the cafe at the BALTIC Centre for Contemporary Art in Gateshead looked particularly good on the white beard.

The Millenium Bridge across the Tyne at Gateshead – the arch lit with colours that slowly change through the spectrum. f/1.8 1/200 ISO 1600 50mm

Lindisfarne on a cold damp dull day – the local stone is defiantly pink on such a grey day