On the upper level of the Hagia Sophia in Istanbul you can look out through windows, guarded by a fine mesh to keep out the birds, towards a gilded spire. It is pretty dark inside with inky shadows set against the intensely blue sky outside. Photographically it was a challenge to get the balance of light right so that one can see into the shadows without losing sight of the spire.
I took many photos on different settings trying to replicate what I could actually see by just looking at the scene. Whilst peering through the tiny viewfinder, I was not fully aware of the figure who had stopped in front of me, I didn’t see her properly until I reviewed the photos later on a computer. She appears to be a serene figure in contemplation of this great spiritual place, head bowed as though in prayer, the sun lighting up the top of her red scarf and her right hand. The scene has something of the Caravaggio Chiaroscuro style of painting about it.
I liked the image so much I began to adjust it slightly for exposure and began to see a very different scenario developing from the shadows. The atmosphere and mood changes utterly once the shadows are lightened, only then you can see the Smurf toy attached to the woman’s backpack. It changes from a study of spiritual contemplation into just another one of the thousands of mildly curious tourists who pass through the Hagia Sophia every day, perhaps just stepping back off a bench and looking down for her foothold, after trying to peer out of the window. Nothing is as it first seemed.