A whole series of my work has been inspired by a drawing of my father’s from 30 years ago. His original was based on visually extracting shapes from a classic Tumbling Blocks schema used in drawing, painting, patchwork and many other formats.
This is his drawing on paper in ink and two thicknesses of line.
I have made a number of drawn versions of my own.
After many other versions in drawing, painting and cutting I have now embarked on a low relief version in painted plywood. The pieces were cut out usung a tiny reciprocating jig-saw that my mother owned from the mid ’80s.
Here are some of the stages I have passed through. Hopefully tomorrow it will be finished.
I was lucky to pay a fleeting visit to this green and rocky place last week, the weather was surprisingly warm, perhaps too hot for a 3 hour trek up the Gorge D’Heric but the scenery was certainly photogenic.
I have printed from this block in a few different colour variations but I think this dark blue/black is my favourite so far. I am going to try a dull brickish red too I think. And I might do some more cutting.
I have in mind to cut some more of the shapes out, deeply enough to fit in a shape made from copper sheet. Copper is beautiful when it’s highly polished but it ages really well too, gaining depth and variation ofcolour. In fact if you heat it, the surface develops amazing tones where a flame has licked it. Details to come . . .
This one is painted, not printed, using Paynes Grey watercolour and Chinese Ink. Then the white lines are drawn with a white chalk pencil. 30x30cm on heavy watercolour paper.
I cut the design in plywood and printed several versions of this yesterday. I am going to make a much paler print, then make another cut block with straight cuts which I can then over print in a dark colour.